Evanescence

WATCH: Evanescence Perform ‘Afterlife’ At The Game Awards

WATCH: Evanescence Perform ‘Afterlife’ At The Game Awards

The 2025 Game Awards, held on December 11 at the Peacock Theatre in Los Angeles, saw standout wins for Clair Obscur: Expedition 33, Hades II, and Donkey Kong Bananza among others — but the event wasn’t just about trophies.

In a highlight moment, Evanescence took to the stage in front of the expectant crowd for a special live performance of “Afterlife” — their atmospheric track from the Devil May Cry Netflix adaptation.

The band delivered a powerful rendition, with Amy Lee’s impeccable vocals soaring over the dramatic instrumentation and bursts of flame effects that lit up the stage. Backdropped by visuals from the series, the performance captured the perfect blend of cinematic intensity and rock energy, bringing one of the year’s most compelling tracks to life in spectacular fashion. [1]

Originally released this past spring alongside the Devil May Cry series, “Afterlife” has recently received a fresh remix by GUNSHIP for the Spotify Singles series in collaboration with the Game Awards — showcasing the song’s enduring appeal across different musical landscapes.

🎥 Watch the performance below:

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Evanescence announce their North American and UK & Europe Tour Dates

Evanescence announce their North American and UK & Europe Tour Dates

Evanescence announce their North American in June & July with special guests Spiritbox – and their UK & Europe tour in September & October with special guest Poppy!

The band will also be bringing along Nova Twins for North America and Europe, and bringing K.Flay along for their UK dates! Presale starts tomorrow at 10am local, use code FIGHTLIKEAGIRL to get access to tickets & VIP packages ahead of the on sale on Friday

Upcoming Tour Dates

12/13/25 Inglewood, CA – Almost Acoustic Christmas – KROQ
4/25/26 Las Vegas, NV – Sick New World Las Vegas 2025
6/11/26 West Palm Beach, FL – iTHINK Financial Amphitheater
6/12/26 Tampa, FL – MIDFLORIDA Credit Union Ampitheatre
6/14/26 Alpharetta, GA – Ameris Bank Amphitheater
6/15/26 Nashville, TN – Bridgestone Arena
6/17/26 Raleigh, NC – Costal Credit Union Music Park
6/18/26 Charlotte, NC – PNC Music Pavilion
6/20/26 Camden, NJ – Freedom Mortgage Pavilion 
6/21/26 Mansfield, MA – Xfinity Center
6/23/26 Saratoga Springs, NY – Saratoga Performing Arts
6/24/26 Wantagh, NY – Northwell Health @ Jones Beach
6/26/26 Holmdel, NJ – PNC Bank Arts Center
6/27/26 Bristow, VA – Jiffy Lube Live

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“End of You” is Revolver Magazine’s Song of the Year

“End of You” is Revolver Magazine’s Song of the Year

Amy Lee just added another powerful milestone to her legendary career and this one is all about collaboration, innovation, and the future of heavy music.

At Revolver Magazine’s 2025 End-of-the-Year Awards, the haunting track “End of You” by Poppy, Amy Lee, and Courtney LaPlante officially took home Song of the Year, marking one of the most exciting moments of 2025 for fans of Evanescence, Spiritbox, and modern alternative metal.

For Amy Lee fans, this win is more than just an award  it’s proof that her voice, creativity, and influence continue to shape the genre in powerful new ways.

“End of You” brought together three of the most distinctive female voices in modern heavy music:

  • Amy Lee (Evanescence) — the genre-defining voice of gothic and symphonic rock
  • Poppy — the genre-bending artist known for blurring pop, industrial, and metal
  • Courtney LaPlante (Spiritbox) — one of the most respected voices in modern metal

The result was a track that felt emotional, cinematic, and crushing all at once a perfect balance of atmosphere and heaviness. The song quickly gained traction across the rock and metal world, and by the end of the year, Revolver officially crowned it the standout song of 2025.

For Amy, it marked a rare high-profile collaboration outside of Evanescence that didn’t just turn heads it dominated the conversation.

Amy Lee has already achieved what many artists only dream of: multi-platinum albums, Grammy wins, sold-out world tours, and a fanbase that spans generations. But this Revolver win shows something even more powerful:

Amy isn’t just a legacy artist she’s still shaping the future of heavy music. Her voice is still one of the most impactful in rock and metal. Her creative instincts remain ahead of the curve. New generations of fans are still discovering her through fresh collaborations

It also highlights how open Amy has become to crossing genre lines and working with newer artists something fans have seen more of in recent years through solo projects, guest appearances, and experimental work.

For longtime fans, this award feels validating. It confirms what the fanbase has always known: Amy Lee’s voice still cuts deeper than almost anyone else’s emotionally and artistically.

Whether you discovered her in the early Evanescence era or through recent collaborations, this Revolver honor proves that Amy’s influence has never faded it has only evolved.

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Gallery Update: New Evanescence Photoshoot Added

Gallery Update: New Evanescence Photoshoot Added

A brand new photoshoot has been added! Browse the links below to check out the latest additions.

“Music is an escape without denying the reality of our pain. It’s a place to vent, be heard, and find hope—a belief that we can get through it, together.” – Amy Lee

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Throwback Thursday: Evanescence & Their VMA Legacy

Throwback Thursday: Evanescence & Their VMA Legacy

Here’s your Throwback Thursday spotlight on Evanescence and their past MTV Video Music Awards nominations.

2003 MTV Video Music Awards

  • Best New Artist in a Video – “Bring Me to Life” (featuring Paul McCoy): Nominated
  • Best Rock Video – “Bring Me to Life”: Nominated

2004 MTV Video Music Awards

  • Best Rock Video – “My Immortal”: Nominated

2020 MTV Video Music Awards

  • Best Rock – “Wasted on You”: Nominated

2021 MTV Video Music Awards

  • Best Rock – “Use My Voice”: Nominated

2025 MTV Video Music Awards

  • Best Rock – “Afterlife”: Nominated – VOTE NOW

From their explosive debut with “Bring Me to Life” to recent nods like “Afterlife”, Evanescence’s VMA journey spans over two decades a testament to their enduring impact in rock music.

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“Afterlife” Nominated for MTV VMA Best Rock — Vote Now!

“Afterlife” Nominated for MTV VMA Best Rock — Vote Now!

Evanescence’s Afterlife has been nominated for Best Rock at the 2025 MTV Video Music Awards! 🖤

Fans can vote 10 times per category per day until voting closes on September 5th.

Show your support and help bring home the win — every vote counts!

👉 Vote here: Vote for Best Rock on MTV.com

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Evanescence Earns First No. 1 on Billboard Mainstream Rock Airplay with “Afterlife”

Evanescence Earns First No. 1 on Billboard Mainstream Rock Airplay with “Afterlife”

Evanescence has hit a career-defining milestone: “Afterlife,” a track featured on Netflix’s animated Devil May Cry series, has climbed to #1 on Billboard’s Mainstream Rock Airplay chart—the first time the band has ever topped this chart.

The Power of Soundtracks: Devil May Cry & Beyond

“Afterlife” debuted in April 2025 as part of Netflix’s animated Devil May Cry series. The track’s rise to the top also reflects Evanescence’s shift toward multimedia music projects:

  • Amy Lee recently teamed with K.Flay on the powerful “Fight Like a Girl” for the Ballerina film soundtrack.
  • This dual presence in gaming and film is expanding the band’s reach—and keeping their sound fresh and relevance.

What’s Next?

With “Afterlife” marking a new high, fans can likely expect more experimental releases, visual-heavy projects, and potential new music announcements later this year. Their ability to resonate across generations continues to cement their place as a force in modern rock. Amy Lee has stated in an interview that the new album should be released early next year.

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Throwback Thursday Then vs Now: Amy Lee 2003 vs 2023 — Two decades of iconic style

Throwback Thursday Then vs Now: Amy Lee 2003 vs 2023 — Two decades of iconic style

From corseted gothic dresses and heavy eyeliner during the Fallen era to elegant, dark couture with layered tulle and leather in 2023 — Amy Lee continues to evolve while staying true to her hauntingly powerful presence.

“My style has always reflected the music. Whether it’s distressed Victorian lace or bold, structured silhouettes, it’s about creating something theatrical and immersive—becoming the character the song needs.”
Amy Lee (paraphrased from multiple interviews)

Check out the photos from our gallery archive—featuring iconic stage looks from Amy Lee across two decades. From the dramatic gothic styles of the early 2000s to her more cinematic and refined ensembles in recent years, these moments showcase her evolution as both a musician and visual artist. Dive into the full gallery for more throwback gems!

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Stream Now: ‘Fight Like a Girl’: Evanescence & K.Flay’s Anthem of Empowerment

Stream Now: ‘Fight Like a Girl’: Evanescence & K.Flay’s Anthem of Empowerment

Evanescence returns with a powerful anthem, “Fight Like a Girl,” for the upcoming John Wick spinoff film Ballerina. Co‐written and performed by frontwoman Amy Lee alongside alt‐rock artist K.Flay, the track was released on June 6, 2025, coinciding with the film’s theatrical debut.

After the success of “Hand That Feeds” (Amy Lee’s collaboration with Halsey released on May 9, 2025), Evanescence continued their involvement with Ballerina by enlisting K.Flay for the end‐credit song. “Fight Like a Girl” was conceived as a thematic complement to the film’s narrative—one centered on vengeance, resilience, and female empowerment. In interviews, Amy Lee revealed that Tyler Bates, Ballerina’s composer and producer, reached out with the film’s concept, sparking the writing process.

K.Flay (Kristine Flaherty), known for her genre‐bending style, recorded her verse while on tour, describing the immediate inspiration she felt upon hearing the demo. Together, Lee and Flaherty crafted a duet that balances cinematic drama with alternative rock intensity.

The song was recorded in early 2025, with K.Flay writing and recording her verse while on tour, and Amy Lee tracking her vocals for the film’s soundtrack. Producer Tyler Bates ensured the track seamlessly transitions from the film’s final sequence into the end credits, incorporating cinematic percussion and string swells beneath the rock foundation.

Amy Lee spoke about the timing of the collaboration:

“Tyler calling me up to create this song for Ballerina couldn’t have come at a more perfect time. I know I’m not the only girl out there ready to dig my heels in and show the world what we’re made of. I really wanted this song to be a collab, and K.Flay is one of my favourite artists. It is literally a dream come true to do this together!”

K.Flay added:

“Amy sent me the demo and I was immediately so energised, so inspired. I was on tour at the time, and I wrote my verse backstage after a show, when my adrenaline was still super high. For me, the film and the song are both about how we channel our pain and how we choose to define ourselves. What separates the hero from the villain?”

The title and refrain, “But can you fight like a girl?”, subvert traditional gender expectations. Instead of portraying fragility, the phrase becomes a rallying cry for empowerment and defiance. Throughout the verses, Lee and Flaherty trade lines about vengeance (“Tonight, you’re the victim of your own crime / You’ll swallow your fate”), solidifying the song’s position as an anthem of strength against adversaries—even when the odds appear stacked.

With “Fight Like a Girl,” Amy Lee and K.Flay deliver an uncompromising anthem that aligns perfectly with Ballerina’s narrative of revenge and redemption. The collaboration highlights Evanescence’s ability to adapt their signature sound to cinematic contexts, while K.Flay’s raw lyricism brings a fresh perspective. As fans digest the song—and as the film hits theaters—“Fight Like a Girl” stands as a reminder that empowerment can be loud, fierce, and unapologetic. You can steam now on Spotify here!

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Throwback Thursday – Through the Lens: Amy Lee’s Iconic Photoshoots

Throwback Thursday – Through the Lens: Amy Lee’s Iconic Photoshoots

From the piano-driven introspection of “Fallen” (2003) to the orchestral grandeur of “Synthesis*”(2017), Amy Lee has used visuals as a powerful extension of her music. In this article, we revisit four landmark photoshoots—each one capturing a different chapter of her artistic evolution. For this throwback Thursday we explore some of Amy Lee’s most iconic photoshoots.

1. Fallen Era Promo Shoots

Why It Matters:
When Evanescence was still refining their sound, this black-and-white studio session set the visual tone for Fallen. Photographers focused on stark lighting to highlight Amy’s duality—vulnerability and strength—mirroring the album’s themes.

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2. The Open Door Era Shoots

Why It Matters:
By fall 2006, Evanescence was preparing to release their sophomore album, The Open Door. The promotional imagery shifted from raw monochrome to deeper color palettes—crimson accents, derelict Victorian backdrops—reflecting Amy’s gothic storytelling and the album’s more orchestral direction.

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3. Self-Titled Album Era Shoots

Why It Matters:
After a five-year hiatus, Evanescence returned with their self-titled third album. For this campaign, Amy Lee teamed up with fashion photographers to produce modern, high-contrast images—bold makeup, architectural backdrops—that signaled a mature, more experimental sonic palette.

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4. Synthesis Orchestral Era Shoots

Why It Matters:
When Evanescence recorded Synthesis—an orchestral reimagining of earlier songs—Amy Lee embraced a classical aesthetic. Photographers shot her at the Omaha Civic Center, surrounded by the dark wood paneling and symphony lighting, to capture that fusion of rock voice and orchestral power.

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Conclusion

Every photoshoot marks a milestone in Amy Lee’s journey—from gothic piano ballads to orchestral reinventions. Which of these four resonates most with your memory of Evanescence? Drop a comment below with your favorite era, and feel free to share any personal anecdotes—perhaps you first saw one of these images in a magazine, fan forum, or on stage during a tour. Let’s keep the conversation going!

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