This fall, Evanescence will release their fourth full-length album, Synthesis. The album features orchestral reworkings of various tracks from their back catalog, as well as two new songs, one of which will debut next month. Ahead of the release, the band is streaming a cinematic take on their biggest hit, “Bring Me to Life,” premiering here.

Singer Amy Lee soars above an arrangement by composer (and Beck’s father) David Campbell. The big, dramatic track feels a bit more stripped down without the heavy guitars and drums it famously featured in its original version, released on Evanescence’s 2003 debut, Fallen.

“‘Bring Me to Life’ is new to me again after 15 years,” Lee tells Rolling Stone of the orchestral version, which is now available for download and streaming. “It’s difficult to explain how good that makes me feel. Having the chance to incorporate things I’ve heard in my head throughout that long period of time, nuances from the way I sing it live, just pouring the weight and perspective of the life I’ve lived now back into that root – it’s pure satisfaction.”

Following the release of their self-titled 2011 album, Evanescence went on hiatus. The band re-emerged in 2015 and slowly began performing live and touring internationally; Synthesis is the band’s first full-length album since their return. The Synthesis Live tour will take the group around North American theaters from October through December of this year.

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Metalshop TV has uploaded video footage of EVANESCENCE‘s July 6 performance at the Rock For People festival in Czech Republic. Check it out below.

EVANESCENCE singer Amy Lee recently spoke to Graspop.be about the band’s forthcoming album, “Synthesis”, which will reimagine some of the band’s past catalog with full orchestration and electronic backing.

“It’s different in a way that it’s still coming from the roots of what EVANESCENCE was conceived to be,” she said. “It’s really a beautiful project. A lot of our old songs are getting a whole new life in a way where we’re getting to experience the focus being this beautiful, full orchestra. It’s also a lot of electronic, cool elements — parts that have always been part of our music. It hasn’t been full orchestra before — it’s just been mainly strings — but just taking it to very beautiful, classical and epic and groovy place. Oh, it feels so good. There’s some new stuff on it too, but it’s mostly old stuff [reimagined].”

Lee also talked in more detail about the making of “Synthesis”, explaining: “As far as the conception, basically, you work in demo land first and just create the arrangements of songs. I went through all the master sessions of, say, ‘Bring Me To Life’, and [I would] pull out all the stuff and listen to it and then chop it up and decide, ‘Oh, maybe this part needs to be longer. Maybe this part at the beginning will be just strings and piano.’ Just figure out what you’re gonna do and build a map. And working with David Campbell, who has done all the string arrangements for EVANESCENCE for all three albums now doing full orchestra, just going back and forth with him and our producer Will and then each other, just throwing ideas in a Dropbox and basically just playing tennis back and forth for months. We finally recorded the orchestra right before this tour. It sounds just gorgeous. I can’t wait to finish the thing.”

In support of “Synthesis”, EVANESCENCE will embark on a special tour this fall which will see the band performing with a “full orchestra.”

EVANESCENCE debuted a previously unheard song called “Take Cover” during its North American tour last fall.

Lee also released a solo single called “Love Exists” in February, while a second solo song, “Speak To Me”, appears on the soundtrack for the supernatural thriller “Voice From The Stone”, which came out on April 28.

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Amy Lee spoke to Graspop.be about the band’s forthcoming album, “Synthesis”, which will reimagine some of the band’s past catalog with full orchestration and electronic backing.

“It’s different in a way that it’s still coming from the roots of what EVANESCENCE was conceived to be,” Amy explained. “It’s really a beautiful project. A lot of our old songs are getting a whole new life in a way where we’re getting to experience the focus being this beautiful, full orchestra. It’s also a lot of electronic, cool elements — parts that have always been part of our music. It hasn’t been full orchestra before — it’s just been mainly strings — but just taking it to very beautiful, classical and epic and groovy place. Oh, it feels so good. There’s some new stuff on it too, but it’s mostly old stuff [reimagined].”

Lee also talked in more detail about the making of “Synthesis”, explaining: “As far as the conception, basically, you work in demo land first and just create the arrangements of songs. I went through all the master sessions of, say, ‘Bring Me To Life’, and [I would] pull out all the stuff and listen to it and then chop it up and decide, ‘Oh, maybe this part needs to be longer. Maybe this part at the beginning will be just strings and piano.’ Just figure out what you’re gonna do and build a map. And working with David Campbell, who has done all the string arrangements for EVANESCENCE for all three albums now doing full orchestra, just going back and forth with him and our producer Will and then each other, just throwing ideas in a Dropbox and basically just playing tennis back and forth for months. We finally recorded the orchestra right before this tour. It sounds just gorgeous. I can’t wait to finish the thing.”

In support of “Synthesis”, EVANESCENCE will embark on a special tour this fall which will see the band performing with a “full orchestra.”

EVANESCENCE debuted a previously unheard song called “Take Cover” during its North American tour last fall.

[Source]